March 29, 2005
In celebration of the 400th anniversary of the publication of Miguel de Cervantes’ masterpiece of the Spanish Renaissance, Don Quixote, the Boston Public Library will exhibit rare books and manuscripts from its George Ticknor Collection of Spanish and Portuguese literature.
Miguel de Cervantes and the Spanish Golden Age will be on display in the Cheverus Room on the third floor of the Boston Public Library’s McKim Building in Copley Square from April 16 to July 15, 2005.
The exhibit is divided into four parts: the emergence of Spanish literature in the late Middle Ages and Renaissance; Cervantes, his life and work; Cervantes’ literary influence and legacy; and George Ticknor’s life and career introducing Hispanic literature and culture to America.
Items on display will include documents and letters signed by the kings and queens of Spain, illuminated Spanish manuscripts of the late Middle Ages and Renaissance, and many works of Spanish literature written and published in the late sixteenth and early seventeenth centuries. Lope de Vega’s signed manuscript of the play El Castigo sin Venganza (1632), containing copious additions and cancellations in his hand, is a highlight of the exhibit. In all, over 100 items, dating from the Spanish Renaissance to the nineteenth century will be on display.
George Ticknor was a founding trustee of the BPL and an avid collector of rare books and manuscripts. Ticknor acquired most of his 9,000 volumes while writing his groundbreaking three-volume History of Spanish Literature (1849). He left the collection to the BPL.
The exhibit is a collaborative effort between the Boston Public Library, the Boston Public Library Foundation, Boston University, the Consulate General of Spain (Boston), the Real Colegio Complutense of Harvard University and the Complutense University of Madrid.
The opening of the exhibit coincides with a symposium, “One More Crossroads: Don Quixote at Four Hundred,” from April 14-16 sponsored by the Department of Modern Foreign Languages and Literatures and the Humanities Forum of Boston University.